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1.Qin and Han Dynasties（221 B.C.-220 A.D.）After Qin unified China, various systems were established, including the dress system. The dress system of the Qin and Han dynasties basically inherited the Zhou Dynasty system, and the nobles' dress was mainly made of deep clothes above and below, fixed by belts.Western Han men's and women's clothing, still follow the coat under one of the deep clothes form. The most iconic shapes of the Qin and Han dynasties were the curved train and the straight train.The Eastern Zhou Dynasty and the Qin Dynasty were important periods for the development of Chinese Hanfu culture, which not only established the basic styles and characteristics of Hanfu, but also laid the foundation for the development of later generations. 2. Wei and Jin Dynasties(220 A.D.-589 A.D.) During the period of Wei and Jin Dynasties, clothing inherited the Qin and Han relics, and the train style clothing became the mainstream, and the women's clothing appeared the "jackets" and "mixed train double skirts" matching forms, and the style was elegant and elegant.From the Han Dynasty to the Wei and Jin Dynasties, the biggest change in women's clothing was the shift in style to "frugality under abundance". The jackets that started in the Han Dynasty developed into the Jin Dynasty and became short and snail-fitting, with wide skirts. Women mainly wear the above jackets and skirts, and the body is slender and soft for fashion 3.Tang Dynasty(618 A.D.-907 A.D.) The costume of Tang Dynasty is characterized by openness and tolerance. Women dress in order to highlight the rich and strong body, the popular combination of chesty skirts and silks, elegant and gorgeous shape.Tang costume is the embodiment of China's "country of clothes", "State of rites", "Splendid China", and the country of Celis. It carries the outstanding craftsmanship and aesthetics of the Chinese nation such as dyeing and weaving, and inherits more than 30 Chinese intangible cultural heritages and protected Chinese arts and crafts. 4.Song Dynasty(960 A.D.-1279 A.D.) Song Dynasty clothing shape and color aesthetic tends to be solemn, clear and beautiful. Women's dress style is characterized by "long skirt long shirt", straight collar on the front Wide Half-sleeve Jacket with pleated gauze skirt, simple lines, slim style.The Song Dynasty was a dynasty with the highest literati temperament in Chinese history. The Song Dynasty women's dress inherited the shape of the Tang Dynasty women's dress, combined with their own characteristics of The Times and created a unique dress pattern of the Song Dynasty. 5.Ming Dynasty(1368 A.D.-1644 A.D.) The clothing of the Ming Dynasty inherited the shape of the Zhou and Han dynasties and the shape of the Tang and Song Dynasties. Women's clothing is both dignified atmosphere, but also graceful and luxurious, the use of three-dimensional tailoring, appeared "on the jacket under the skirt" standing collar clothing form.The difference between Ming suit and the previous generation is that the proportion of dresses is obviously inverted, from short tops to long tops, and the length of dew skirts is shortened, and the collar has changed from the opposite collar of the Song Dynasty to the main round collar.

In China, etiquette is paramount; hence it is called Hua Xia.The beauty of formal dress is called Hua.What is Hanfu?Hanfu, officially known as "Traditional Han Clothing of the Han Ethnic Group",Also called Han Yi Guan, Han Zhuang, does not exclusively refer to the clothing of the Han Dynasty. Originating in ancient times, formalizing during the Spring and Autumn Period and the Warring States Period, and flourishing in the Ming Dynasty, Hanfu has evolved over thousands of years. It carries exceptional craftsmanship and aesthetics in dyeing, weaving, and embroidery. Even after millennia of inheritance, Hanfu continues to captivate with its timeless beauty.True Eastern aesthetics and Chinese style are embodied in the elegance of Hanfu attire. A complete Hanfu usually has three layers: a small coat (undergarment), a middle coat, and a large coat.Part Structure 领: the collar of the garment. 襟: the part of the chest. 衽 (rèn): also meant to refer to the lapel, specifically the part of the lapel that continues the length of the garment. 衿: the collar that is attached to the front lapel. 袂 (mèi): refers to the sleeves. 袖: the part shown in the picture. 裾 (jū): the front and back lapels of the garment. 带 : the lacing. Common Keywords Cross-necked right obeisance (交领右衽) When the left lapel and the right lapel are crossed in front of the chest in Hanfu, the neckline is naturally crossed like a lowercase letter y, so it is figuratively called "cross collar". The left side of the lapel on the top, cover to the right armpit tie, the right lapel covered in the inside, that is, the cross-collar right obeisance. Wide SleevesHanfu are usually very loose, with wide and long sleeves, making them comfortable to wear. However, in the variety of Hanfu styles, small sleeves and short sleeves are also more common. Hidden ButtonsHanfu generally do not use buttons, and even if they do, the buttons are hidden, so they are called hidden buttons. Mostly rely on the strap knot to fix the clothes. Centre Sewn SleeveThe "centre seam" refers to the vertical line at the centre of the front and back of the body of the garment, which was originally spliced due to the limited width of cloth in ancient times. Later, the centre seam of the body of the garment was gradually given the meaning of uprightness, fairness, and righteousness. In addition, it is also used to check whether one's clothes are correct or not.

InspirationA Smile Framed for 2000 Years - Eastern Han Dynasty: Ceramic Dancing FigurineShe wears flowers in her bun and a scarf on her forehead. She is dressed in gorgeous clothes and feathered sleeves. Her swaying figure was already applauded in those ancient times.Combined with her dance posture and props.It is assumed that her dance is the Tap Dance. InspirationNorth has the Tang Sancai, South has Qiong Sancai - Late Tang - Five Dynasties - Qiong yellow-green glaze high-footed porcelain stove triple curled lotus petals just like a bloom, holding a linden branch of the Immortal flying down to each piece of lotus petals. Lotus form lifelike, glaze is clear Qiong kiln porcelain boutique.   Inspiration Only the Fragrance is Old - Tang. Hollowed-out Gilt Fragrance SachetA gorgeous gold-coloured incense sachet.The exterior is hollowed out and carved with birds and flowers.She is delicately and cleverly designed.The outer wall, the ring and the incense burner are riveted together.It can be tilted to prevent spilling of spices. Inspiration： At the end of the Tang Dynasty and during the Five Dynasties, the Chengdu area was known as the "famous music capital", where the style of singing and drinking was deeply rooted in the countryside. The emperors of Shu were personally involved in the performance and appreciation of music and theatre, and the "popular music" used for annual feasts was developed unprecedentedly. Zhao Tingyin tomb unearthed Kabuki figurines painted and decorated with gold, brightly coloured, different demeanorIs so far the most exquisite combination of painted ceramic Kabuki figurines found in the southwest.

Harmony Blossoms丨Wish there were years to look back, and with deep love to white heads together Dark jacquard interlaced with shades of red.Golden lily branches" on the chest are twisted into a rounded pattern.The waistband has a white leather belt with carved flowers and imitation jade.The velvet trousers are soft and cosy.Magnificent pink and white lilies surround the red bodice.Gold threads and various embroidery methods.The embroidery is exquisite and three-dimensional.The 11-colour skirt is light and drapey and super slimming.The three colours of the skirt are interspersed with shimmering filaments.Gradient double-layer inner shirt is soft and comfortableThe outer sleeve is gorgeous and has an airy look, and there is also a trailing style available.

shisanyu Chinese Luxury Goods｜Crafting a Hanfu Purse with Ancient Couture Shu Brocade China also has luxury goods They are ancient Chinese intangible cultural heritage crafts They are also the persistence and inheritance that Chinese craftsmen have never interrupted for thousands of years.  In Chengdu, the Land of Abundance There is a traditional craftsmanship that has been passed down for 3000 years—Shu Brocade A skilled weaver can only weave up to 10 centimeters in a day at most. Its value is comparable to ten times its weight in gold. .

But when 碰碰 played "Mulan" in Cannes wearing "Nightfall", we were deeply impressed.At that moment, we deeply felt thatChinese cultural heritage doesn't need fancy words.Neither does it require vague thinking.It's the practice that breaks the shackles of all cultural prejudices.It is the physical practice that breaks the shackles of all cultural prejudices..At Cannes, let the world hear Chinese music and see Chinese culture.Let the world hear Chinese music and see Chinese Hanbok.This is our heritage.      

Who said Hanfu is uncomfortable for daily use? Some people feel that Hanfu is too complicated, uncomfortable, and unsuitable for modern daily life.Like ancient Hanfu, daily Hanfu is a kind of clothing that can meet people's daily needs at home, travel and work. Material Daily Hanfu is functional and elegant.Made from a blend of fine cotton and silk fabrics, this style is easy to wear and wash. A gentle wash in cold water and hanging to dry will suffice.The modern woman craves luxury, whether layered or casual, this piece is durable and soft. Design Daily Hanfu is based on Western designs, but it also has original designs that are not found in Western clothing.That's why young people think that traditional items are cool and fashionable Hanfu. They had a great time setting their own fashion with what they liked.Hanfu is getting closer to people in an unusual way, and the new Hanfu fashion represents multicultural beliefs.Daily Hanfu has become part of the new lifestyle of modern youth. For some time, Hanfu has become more and more popular, not only among young people, but also among tourists, leading the global fashion and creative trend.Now, Hanfu style has become more free. People are not afraid to wear timeless patterns and they will mix and match their traditional styles with modern accessories. Just like other clothing, you can freely mix and match with modern Hanfu

Mamianqun Ma Mian Qun, also known as "Ma Mian Zhe Qun", is one of the main skirt styles for ancient oriental women. There are four skirt doors at the front, back and outside, two of which overlap. The outer skirt door is decorated, and the inner skirt door has less or no decoration. , Ma Mian Qun is pleated on the sides, and the waist of the skirt is mostly made of white cloth, which means growing old together, and is tied with ropes or buttons. Etymology The term Ma Mian Qun is composed of three Chinese characters: Ma, which literally means "horse" ; Mian, which literally means "face"; and Qun, which literally means "skirt". In some 19th century French publications, the Ma Mian Qun were sometimes described as "deux jupes plissés" (transl. two pleated skirts).The name Paired apron has sometimes been used in English literature to refer to the mamianqun due to its construction of using two overlapping panels of fabric tied to a single waistband forming a single wrap skirt which is tied around the waist,like an apron. The term Paired apron was coined by John Vollmer in the second half of the 20th century and can be found as early as the 1980s. Main characteristics The mamianqun is composed of two overlapping panel of fabrics which wrapped around the lower body.Each of these two panels were identical and formed half of the skirt, which were then sewn together a single waistband creating the overlapping front.A mamianqun is a total of four flat and straight panels are known as qunmen (裙门; 'skirt door') or mamian (马面裙; 'horse face');there are two flat panels at the right and left side of each panel of fabric. When worn, only two out of the four flat panels are visible on the wearer's body; the visible panels are seen located at the front and back of the skirt; The mamianqun were typically tied with ties which extended beyond the skirt's width at the waistband. Pleats, gores, and trims The historical mamianqun is typically decorated with pleated side panels, gores,which can also vary in styles and types.The use pleats, gores, and sometimes on the left side of the skirt allowed greater ease of movements when walking, allowing Chinese women to swing gracefully as they walked.The trims which decorated mamianqun of the Qing dynasty did not only impacted the overall appearance of the skirt, but also influenced the way it would move as the wearer takes walk.For example, depending on how the each trims were sewed to the edge of the pleats, the pleats may move independently from each other or create "ripple effects". Types of pleats Types of pleats used in the historical mamianqun: narrow pleats in honeycomb pattern or in fish-scale pattern,knife pleats; and box pleat. The pleats could also be a combination of knife pleats which radiate outwards to the left and right of a central box pleat located at the middle region of side hips.These types of pleats used in the mamianqun contrasted from the pleats used in the wide skirt of Western ladies as described by Samuel Wells William in 1849. Nowadays Daily outings, gatherings with friends and commuting to work are the current mainstream wearing scenarios of horse-faced skirts, accounting for nearly 30% of the total. This shows that horse-faced skirts have gradually become the main choice of clothing for young people. The well-known luxury brand Dior once borrowed the design of the horse-face skirt and launched a product similar to the horse-face skirt in the autumn of 2022.